Neil Young Played Entirety of Tonights the Night Then Started It Again
Neil Young - Tonight'southward The Night
This night'south the Night
Speakin' Out
World on a String
Borrowed Tune
Come on Baby Let's Become Downtown
Mellow My Mind
Ringlet Another Number (For the Road)
Albuquerque
New Mama
Lookout man Joe
Tired Optics
Tonight's the Dark (Role 2)
Neil Young recorded This night's The Night beforeOn The Beach, simply Warner Brothers deemed it also gloomy for an audition of fans eagerly pending the sequel toHarvest, and saturday on the anthology for 2 years before they finally released it.
Informed by the deaths of Danny Whitten and roadie Bruce Berry – and unveiled in all its booze-sodden glory before bemused crowds later that twelvemonth – information technology'due south an unnerving tape with the stoned air of a private wake.
Emotionally racked and set to the sparest of piano arrangements, Young is at his most candid on the stumbling title rails and the painedRoll Another Number.
"It was a very night, intense simply healing take a chance," guitarist Nils Lofgren told Classic Rock. "Neil wanted to make a live tape, extremely rough, to not even have the musicians know the songs too well, the antonym of product. We recorded in this pretty funky picayune room in Hollywood. We'd get together at dinner time, shoot pool, sip some tequila, pretty much till midnight, talking about Danny and Bruce, commiserating, and then get round a table and Neil would showtime showing united states of america these songs.
"He'd kind of map them out a little, but we wouldn't practise them a whole lot. David impressed on us to stay downward on the tracks at all times, because the 2d Neil got a vocal that he liked, we'd be done. No one could prepare a single note."
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Other albums released in June 1975
- One of These Nights - Eagles
- Red Octopus - Jefferson Starship
- Initiation - Todd Rundgren
- Stand Back - April Wine
- Stills - Stephen Stills
- Ane Size Fits All - Frank Zappa and The Mothers of Invention
- The Basement Tapes - Bob Dylan & The Band
- HQ - Roy Harper
- Jasmine Nightdreams - Edgar Wintertime
- Return to Fantasy - Uriah Heep
- Rising for the Moon - Fairport Convention
- Trying to Burn the Sun - Elf
- The Tubes - The Tubes
What they said...
"More any of Young's earlier songs and albums - even the despondent On the Beach and the mordant, rancorous Fourth dimension Fades Abroad - Tonight'southward the Dark is preoccupied with decease and disaster. Dedicated to the dead Berry and Whitten, its embrace, liner and characterization are starkly black and white. The characters of the songs are beat-shocked, losers, wasted, insane, homeless - except for the ones who are already corpses." (Rolling Stone)
"Songs like Speakin' Out and New Mama seemed to find some hope in family life, but This night's the Night did not offer solutions to the personal and professional problems it posed. It was the work of a man trying to turn his torment into art and doing and so unflinchingly." (AllMusic)
"Tonight's the Night is shocking the first time y'all hear information technology considering for a record on the receiving end of then much commencement-generation rock criticism focusing on its sorrow and grief, information technology often sounds like a raucous political party being thrown by a bunch of lovable knuckleheads having the time of their life." (Pitchfork)
What you said...
Alex Hayes: I've merely been downward and counted the number of Neil Young CDs in my collection. 23 of his studio albums, including Tonight's The Night, plus Neil Immature And Crazy Horse Live At The Fillmore East. That'due south quite a lot of music, all purchased during a period of around ten years starting from onetime in the mid 1990s. Sounds impressive, merely information technology's a body of work that I rarely listen to nowadays.
If I'd been writing this twenty years ago, I'd take been waxing lyrical about This evening's The Dark, unabashedly proclaiming it a masterpiece. I still think information technology's pretty damn skillful, but I'chiliad now self aware enough to realise that any hyperbole would accept been me desperately trying to convince myself of its greatness as much as anyone else. Hindsight can be a funny thing sometimes.
Information technology'south quite apt that This night's The Nighttime is commonly thought of as one of the albums in Neil Immature's 'ditch' trilogy, as it similarly came into my life during a difficult flow for me personally. I won't elaborate as well much, but I often think virtually a skillful chunk of the late 90s, although certainly not all of it, every bit being my very own 'ditch' years. Those weren't good days for me, riddled with different kinds of personal issues and subsequent bad memories. Sadly, listening to Tonight'south The Night takes me correct dorsum there.
It was a difficult, and largely inspiration barren, period for the inner rocker in me also. The stone and metal scene had shifted so radically at the time, ironically towards artists that openly, and quite rightfully, cited Neil Immature as a major inspiration to them, that I suddenly establish myself flailing around, looking for any music that I could still identify with and call my own. A fascination for singer-songwriters (Neil Young, Bob Dylan, Paul Simon) was ane of several things built-in out of that listlessness. All corking artists whose music I now, unfortunately, struggle with, every bit it came to my attention at the wrong time.
I'd hardly call myself a fan of Neil Young'due south work across the board either, despite that big CD collection. His penchant for experimentation and improvisational spontaneity in the studio is admirable, but has created a discography that constitutes a mixed pocketbook for me. For every After The Golden Rush and Rust Never Sleepsouthward, we have a Re·ac·tor and a Trans.
I'm agape I find much of Young'south work rambling and aimless, peculiarly on the more free-form albums with Crazy Horse. I don't really get off on hearing Young pad out his songs with instrumental 'workouts' that take obviously just been thrown together off the cuff. Some of his critically acclaimed albums - Ragged Glory and Sleeps With Angels are practiced examples - bore me to tears through relying on that. That latter anthology contains a certain track, Change Your Mind, that is and so tedious I'm incapable of sitting through it to the end. Incidentally, Sleeps... is kind of a sequel to Tonight's The Dark.
Of class, I nonetheless greatly adore Neil Young as an artist. Who doesn't? Tonight's The Night is undoubtedly a fine, if ramshackle, album. I hateful, come on, nosotros've got the likes of Borrowed Melody and Albuquerque on there. Information technology transports me back to some pretty difficult and lonely times though, and isn't the flawless diamond that I'd have been and then itching to convince myself of back when I first heard it. I was out of sorts dorsum then, and trying to be somebody that I'm non.
Hard anthology to review this i. Whilst undeniably potent from a creative standpoint, information technology's a bit of an uncomfortable listen for me. Wasn't that the whole point though?
Justin Edward Griffin: Ever been my favourite Neil Immature record. The record is like method acting except for the fact that it is completely accurate. Neil and the band here immerse themselves in drunken vulnerable sorrow and share it with u.s. raw and existent. A haunting and cute statement on grief and acceptance.
Gus Schultz: My favourite album from the ditch trilogy, and probable my favourite Neil Young album menstruation. Although it's tough to decide with his seventy's piece of work being and then good.
Adam Ranger: For me this is the all-time Neil Immature album... and that is maxim something from a Man who has such a great catalogue.
The first of the ditch trilogy, and his reaction to not wanting to go downwardly the middle of the road and record another Harvest. The band were also dealing with the loss of Guitarist Danny Whitten and Roadie Bruce Berry (both from drug overdoses). So the album is at times bleak and mournful at time. But information technology is a thing of beauty nonetheless. World On A Cord, Mellow My Mind, Borrowed Tune, Tired Eyes and Albuquerque are, for me anyway, Young at his finest.
Neil Young can be hard to listen to at times, his music does non always hit the correct notes for me, but Tonight's The Nighttime is perfection, despite (or perhaps considering of) the bleak haunting nature. A solid ten from me.
Jac De Boer: I got into Neil Young earlier this year. Have to say this is i of my favourite albums of his.
Guy Dickinson: A truthful classic anthology
Baton Master: Doesn't even demand reviewing, but yet, 100% worthy of all the plaudits that it will become.
Wade Babineau: Archetype. This i was played a lot during my college days of late nights finishing up design projects. Always seem to exist our go-to for those late sessions.
Evan Sanders: A really good album. Since I didn't get-go getting into Neil Young until Rust Never Sleeps, my appreciation for this one is more than retrospective. Fifty-fifty though it'due south considered a dark album, many of the songs feel more like a loose jam session than an elegy. Its companion slice from many years afterwards is Sleeps With Angels, which I believe still reverberates with sadness and anger. This night's The Night is a more mature Neil Young, foreshadowing his line from Thrasher in 1979, "how I lost my friends, I still don't understand".
Antoine Riguidel: The absolutely perfect Neil Young record. Gold songs. Hard time for Neil.
John Davidson: Apart from a brief amour when I first heard Rust Never Sleeps, I've never actually had much time for Neil Young's solo piece of work.
His make of miserable, ramshackle Americana/ country rock just doesn't resonate with this Scottish lad, and it'due south non like he has the pipes to charm the unbeliever.
This anthology does nothing to plow those preconceived ideas and while it conspicuously has artistic merit, and a painfully honest assessment of grief, it still doesn't reach me.
Highlights are Borrowed Tune and Come On Infant. Lowlights are the likes of Mellow my Mind and Coil Another Number which are clichéd dirges to these ears.
Rocky Taylor: Neil Young is the king of doing exactly what the label doesn't want, and we're usually the amend for it. Tonight's The Night is no exception, a terrific blend of rockers and unplugged beasts that all but esques Immature's earlier folk and country-oriented tracks. It's high amidst his highlights.
Greg Schwepe: So, here'southward the great matter about this Anthology of the Calendar week group; you lot're asked to check out music y'all normally might non gravitate to. And sometimes, as in this anthology, you lot stumble onto something you similar. I well-nigh went "Nah, Neil Immature this calendar week, retrieve I'll laissez passer…" simply decided otherwise.
Historically, I am non a Neil Young devotee. While friends in loftier school and college would gobble up everything of his that came out, I was clashing. Oh, I liked the true "Classic Neil Young" stuff that was played on the radio (Heart of Gilt, etc.) and did own Rust Never Sleeps and his Decade anthology at one time, but have never actually been interested in the residual of his very, very large catalogue.
That said, I did really like This night'southward The Night. seven out of 10 for me on this ane. Likewise knowing the release yr (1975) and where it sat in his long list of releases, I knew nothing of where Young was at the fourth dimension in terms of his career, state of heed, etc. That gave me the power to just heed to a stand-lone album without the backstory.
For me, this contains all the Neil Young song moods I know of; folky, slightly rockin', introspective, and melancholy. All spread out over this anthology. Just when it appears to be heading down the "slow lane", the next vocal switches gears and picks up the footstep a lilliputian.
And these songs all contain the Neil Young instrumentation hallmarks; electric guitar, acoustic guitar, harmonica, piano, and pedal steel. All those put together create the right mood for what he'due south trying to convey. I will say while I like pedal steel, I can only take and so much of it. And when used on this album, it gets just to the limit on my "Likewise Much Pedal Steel" fuse, but does not trip it!
Overall, this was a good adventure into something I normally wouldn't heed to. And I however call back my Neil Immature preferences run more to his loud rocking side, either solo or with Crazy Horse. But his stiff audio-visual songs draw me in too. Good choice for anthology review. This won't turn me into a hardcore fan, just it was prissy to bank check out.
Mike Canoe: For much of my music listening life I lived by the maxim that at that place were few things ameliorate than Neil Young electric... and few things worse than Neil Young audio-visual.
So, based on the title runway and Tired Eyes (the two tracks besides on the compilation Decade), This evening's The Night never held much involvement for me. Additionally, similarly shambolic albums like Exile On Main Street or Sabbath's Vol. 4 soured me on albums historic primarily for the druggy and/or boozy country in which they were recorded. Finally, there'due south that album cover where Neil Young looks more similar a bad stand-upward comic than ane of the most eclectic and interesting (albeit frustrating) songwriters ever.
Every bit always, time is the ultimate mellower and I am now much more receptive to the album, in large part considering I tin can now split the music from the surround it was recorded in.
The Rolling Stones seem to be a big influence, both in terms of music and their attitude towards debauchery. Roll Another Number and Tired Eyes resemble the unrepentant wreck tunes in which the Stones regularly trafficked. And, of course, they supplied the melody that Immature borrowed because, as he croaks, he was too wasted to write his own.
I also hear the love of noise and gallows humour that helped endear him to the grunge generation in songs like Lookout Joe and the more muscular accept on the title runway that closes out the album. Grunge too ended upward spending a lot of time eulogizing fallen comrades in song. Nobody loves you when y'all're down and out - except for perhaps the downwardly and out. In what may be purposeful irony, the most upbeat track is the rattling state rock of Come on Baby Let's Get Downtown, recorded live with the belatedly Danny Whitten.
And so at that place's the beautiful melancholy of Albuquerque, the type of song that manages to appear on even the most uneven Neil Young albums.
Neil Young has a vast discography. Much more vast than I realized when I realized he's fabricated at least 22 albums since the 90's when I quit listening to his new stuff and started listening to the musicians he influenced instead.
Final Score: vii.97⁄10 (74 votes cast, with a total score of 590)
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Source: https://www.loudersound.com/reviews/neil-young-tonights-the-night-album-of-the-week-club-review
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